Feretri - Abysmal Grief
(Terror
from Hell Records – 2013)
Italian
Doomsters, ABYSMAL GRIEF, certainly take their time about things. Around since
1995, they’ve only three full-length releases under their belts: 2007’s debut
Abysmal Grief, their sophomore outing, Misfortune, in 2009 and this year’s
Feretri. Their music’s in little hurry, too: an epic/ funeral hybrid with the
odd death vocal thrown in if the mood takes them. It’s mostly slow and plodding
and not particularly heavy. Swirling Hammond-esque keys drive the album, lending
a strong vintage feel.
Feretri
is as creepy and old school a record as the Hammer-esque cover suggests. Highlights
include gothpop number Sinister Gleams, with its fuzz guitar, fairground keys
and rabble-rousing, sermonic vocal, and the surprisingly upbeat Hidden in the
Graveyard. Her Scythe is the heaviest track, a sprawling 11 minute doom opus
with some kick ass riffing.
Feretri is available now through
Terror from Hell Records
Lure
of the Occult - Backyard Mortuary
(Self-released
– 2012)
Unfold
the inlay card within Lure of the Occult, BACKYARD MORTUARY’s debut full-length
release, and you’ll find an awesome pic of the whole line-up and the words
‘Australian Death Metal’ in bold lettering. Not strictly true, one could argue:
despite the filthy growls of vocalist Chris Archer, there’s a distinctly doom
vibe going on. It’s still a rocking album, drummer John McLaughlin not shy of
dropping the odd blast beat, but Stuart Prickett/ David Thomas’ guitars and
Bianca Jamett’s bass are dirgey as all hell with their lowdown riffs and slow,
feedback-drenched chords.
And
then there’s the length of each track: these aren’t snappy 3 minute death
blasts. We’re talking 5 minutes plus for the most part, closing track Demon’s
Blood running an epic 8.12 and throwing more than its fair share of
tempo-shifts at you.
Lure
of the Occult is a cracking album, a low-fi, blackened dirtball grabbing all
the best elements of extreme metal and shoving them right up your ass. Deal
with it, bitch.
II - The Slow Death
(Self-released/
Chaos Records 2013)
BACK
MORTUARY boys, Prickett and McLaughlin, turn the angst down for THE SLOW DEATH.
This epic/ death doom side project is on its second album and couldn’t be more different
to the dirgey riot of BM if it tried. Featuring Gregg Williamson and Mandy
Andresen on vocals, his pained growls mirroring her poignant croons, this is a
beautiful record in every sense of the word.
Prickett’s
guitar is both sweeping and crushing, an emotional rollercoaster from start to
finish. Yet, somehow, II remains very much a doom record, refreshingly
prog-free.
Personal
highlights include opening track The Long March and closing track, Reclaimed by
Dust, but it’s best just to lie back and listen to the whole album as one
piece; this is one of the few times when the oft-used wanky prog term ‘musical
journey’ makes perfect sense.
II is available now on CD and
download and will be released on double vinyl through Chaos Records, late 2013.
All reviews by Wayne Simmons
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