Crawl (2011)
Review by Jude
Felton
The makers of
the Australian film, Crawl, are definitely from the school of thinking where
less is more. It’s a slow-burning movie that is in no good hurry to get to
where it’s going, and for the most part is does actually work. How much enjoyment
you get from this modern day noir though, will all depend on your levels of
patience, because believe me, Crawl is in no hurry to get anywhere.
Set in a small
town, the follows a twisted tale of murder and unfortunate circumstance, with a
Croation hit man being hired by a sleazy bar owner to kill a longtime friend
over a shady deal. This all goes down without a hitch, so to speak, and is
revealed in the opening scene. It is what comes next that throws a spanner in
the works, as the hit man, through a quirk of fate, ends up as the residence of
Marilyn; who just so happens to work at the same bar that is owned by Mr.
Sleaze. She’s at home awaiting the arrival of the love of her life, but instead
gets a visit from the hit man.
Part noir,
part home invasion movie, Crawl is the type of movie that does require a
certain amount of patience in which to enjoy it. It is more concerned with
slowly setting up the plot, than actually delivering what you might expect to
happen, and at times can be a little frustrating. There are quite a view
violent scenes, some of which are bone-crunchingly violent, which are offset by
some strangely comedic moments; most of which involve the bar owner.
The film
itself is a very well shot piece of cinema, with director Paul China having a
good eye for style and shot design, and as such bodes well for the future, with
this being his debut movie. Where Crawl could have been improved would have
been in the pacing of the film. It’s all good and well to have a slow-burning
movie, but for this to work well, especially in a thriller, is for the tension
to constantly be building up. Now, whilst it does build to a certain degree,
the pacing and long scenes, where not too much happens, tend to take the viewer
outside of the action, rather than draw them in. When the shit goes down, it
goes down well, it’s just a case of a little tightening up here and there.
The cast here
all give pretty solid performances, with George Shevtsov giving a subtle and
brooding outing as the killer of few words. Georgina Haig is also convincing as
the love-struck Marilyn, whose life takes a turn for the worst.
Overall,
there is a lot to recommend about Crawl, but at the same time a lot of the good
work is undone by some of the film’s negative aspects. It is certainly a
decent, yet flawed outing, and as such should be approached with a certain
element of caution. When Crawl works, it works very well indeed, such as a car
crash aftermath and the later scenes in Marilyn’s house, but you also have to
balance this against some of the film’s pacing issues.
Crawl falls
into that grey area where I didn’t love it, yet neither did I hate it. I could
definitely see where the film worked, and what the filmmakers were trying to
achieve, yet it was all too apparent to see the movie’s shortcomings as well.
If you enjoyed the 2010 movie Red Hill, which is also a dark Australian
thriller, you will probably enjoy Crawl. Whilst not quite as accomplished as
Patrick Hughes film, it does share a few similarities and is certainly cut from
the same cloth. With Crawl though it is definitely a case of good, but could
have been far better.
Crawl is released today (February 25) on Blu-ray and DVD by Arrow Films.
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