The Fields (2011)
Review by Jude Felton
When a film release is accompanied with the words “based
on actual events” it is always very easy to take it with a pinch of salt. Quite
often it is nothing more than a marketing gimmick used in order to hype up the
movie. In the case of The Fields though, there is nothing that happens that
would leave the viewer in any doubt that this was a statement of fact, albeit
embellished slightly for theatrical effect. The truth of the matter is that The
Fields is a movie grounded very much in reality.
The Fields follows the story of a young boy named Steven,
who during the summer of 1973, moves out to stay with his grandparents in rural
Pennsylvania while his parents work through their marital problems. Whilst
staying there news of the Manson cult is the big story of the day, and Steven
finds himself fascinated by it. Equally as fascinating is the sprawling corn
fields that surround his Grandparents house. He is warned not to enter the fields, for his
own good. He’s a young boy though, and telling a young boy not to do something
is an open invitation to indeed to that.
The combined effects of the mysterious cornfields, the
news reports of the Manson cult and late nights watching horror films with
Grandma (Cloris Leachman) seem to instill a paranoia in young Steven. He’s
heard news of another cult that has taken up residency nearby, and this all
culminates in Steven’s fear that something is stalking him and his
Grandparents.
The Fields works so well because the focus of the film is
squarely on Steven and his Grandparents, and their interaction. The exterior
events serve to forward the main plot, but they are almost secondary to the
family life, and only slowly come into play. One thing is certain though and
that is that The Fields is a real slowburner of a movie that gradually raises
the fear level the further the movie goes. There are more than a few genuinely
creepy movies that will get the hairs on the neck going. There is no cheap jump
scares on display, just a gradual and impending menace that surrounds the film.
If the cast wasn’t as strong as it was then none of this
would have worked, but directors Tom Materra and David Mazzoni have placed the
focus of the film on the central characters, and all pull it off superbly. The
aforementioned Cloris Leachman, who won an Academy Award for her role in the
1971 film The Last Picture Show, is superb as Gladys (Steven’s Grandma); she’s
a no nonsense woman who thinks the world of her Grandson. Equally impressive is
Joshua Ormond as the curious Steven and Tom McCarthy as Grandpa, who will
defend his family at any cost. Also of note in the cast is Tara Reid, who is
probably best known for roles in comedies like American Pie and Van Wilder, as
Steven’s mother. Her role is relatively small, appearing only at the beginning
and then towards the end, but she plays it well and is miles away from the
previously mentioned films.
The Fields was a thoroughly engaging film that made
wonderful use of its rural Pennsylvanian location, which itself adds another
character to the film. It is a slow and methodical movie that won’t appeal to
those with an attention deficiency, however, the patient viewer should
appreciate the well-crafted and creepy story that unfolds.
The Blu-ray release of The Fields comes with a few
extras, including Cloris Outtakes, The Making of The Fields, World Premiere
with Cloris, some behind the scenes featurettes and the required Photo Gallery
and Trailer section. Breaking Glass Pictures have delivered a very worthy
Blu-ray, with the picture and sound being terrific throughout. The fact that
the film itself is a little gem can only serve to make this a worthy addition
to any genre film fan’s collection.
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