The
Collective Vol. 3: 10 Minutes to Live (2012)
Review by Jude
Felton
Jason Hoover
and JABB Pictures are well aware that there are an abundance of fresh and
original ideas out there, just waiting to be filmed. This was quite evident
with the releases of The Collective Volumes 1 and 2, entitled The Meat Eater and
The Box respectively, two collections of short films that both took one
synopsis, which was the title, then let filmmakers run with an idea, just as
long as the film was around 10 minutes long. Quite often short films get lost
in the ether, only ever turning up online and rarely seeing a release to disc.
More is the shame to that, as quite often these short films are quite terrific.
The
Collective has been a great way to give these short films exposure, by
releasing them on DVD, because for me personally I am not a fan of watching
movies online. I’d much rather get comfortable on my couch and watch them on my
television. This brings me to the latest release from JABB Pictures; The
Collective Volume 3: 10 Minutes to Live. Once again the idea is the same; ten
filmmakers take the same synopsis, this time being 10 minutes to live, and then
coming up with their own film to fit in with the idea. As you might imagine you
get ten very different films, with ten very different ideas.
With Volume 3
though there is a slightly different take, being as though this volume is from
the female perspective. The films are either all written or directed by the
fairer sex. Rest assured though, they may be the fairer sex, but these ladies
have produced some scary and vicious films.
The
filmmakers and their films in this volume are Pants Cannon Media (He Who
Watches), Karmic Courage Productions (Home Security), Mysterious Mansion
Productions (Conclusion), Channenmabelle Productions (The Key), JABB Pictures
(The Pact), Toetag Pictures (Stay), One Stepp At A Time Productions (Suffer
Well), Death Hug Films (Snapped), Silence in the Dead of Light (Jog) and Spiral
Filmworks (Palindromist). Believe me when I tell you that they have all come up
with very different tales. Some are more successful than others, I personally
felt a two were a little too vague for my liking, but on the whole they deliver
the goods.
Subject
matter included over the ten films includes murder, revenge, suicide and infidelity
and none of them go where you might expect them to.
Personal
favorites in this collection, or Collective if you prefer, would definitely be
JABB’s The Pact, which is quite beautifully shot by Amy Carmical and stars
Dakota Meyer. It is an emotional piece that relies on the visual aspect over
any unnecessary dialogue, and it works incredibly well.
He Who
Watches, from Pants Cannon Media is another short that really impressed with
its twisted tale. Directed by Kate Toomey and Kylee Wall, He Who Watches takes
a fresh look at life and death, and really was rather good.
Although I
mention these two, all the movies included were impressive, even the couple
that fell a little flat with me. It is the ideas that count, and originality is
what it is all about here. Jog, with its experimental approach, takes a simple
journey and turns it into something horrifying. Toetag’s Stay, directed by
Shelby Vogel, is a cruel short movie that managed to get a wry laugh from me
with its twisted approach. Palindromist was another film with a unique visual
style that impressed me no end.
Overall, whether
I mentioned the individual film or not, all the films contained in this
collection add something very unique to the original idea, and that in itself
is a terrific achievement. It just goes to show that one persons’ take on an
idea can be vastly different to another’s’. The Collective Volume 3 is another
resounding success for JABB Pictures, and the filmmakers that contributed, and
really needs to be seen. Good quality independent cinema deserves to be
supported and JABB continue to release the quality.
I can also
tell you that Volume 4 is on its way, and I am sure that we can expect the
unexpected when that arrives.
The Collective Volume 3 is available now from JABB Pictures.
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